Actors are con men and con men are actors.
The con movie is a little bit different where maybe we tell you what we're going to do but it never goes down the way you expect because there's so much double-crossing and cheats and lies going on along the whole way.
Spielberg gave us three takes before saying anything to us. Since then, I do that, three takes, to let the actors find their rhythm.
'Brothers McMullen' would not be picked up for theatrical distribution now.
I mean the cool thing about the movies is that you get to try on these different personalities and different styles.
I'm always aware of who my core audiences are and I serve that niche.
I'm betting that in two years I'll be talking to you about a film that I shot on an iPhone. It's absolutely coming, I have no doubt in my mind.
But at a certain point, you have to take your influence and find your own voice if you want to become a relevant artist.
That's my advice for indie filmmakers: Marry a supermodel.
You make a movie for 9k for the freedom it allows you.
Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
I suffer from Irish-Catholic guilt. Guilt is a good reality check. It keeps that 'do what makes you happy' thing in check.
I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.
And at no point did making 'Brothers McMullen' feel like work or hardship. It was really just a matter of 11 days of fun over the course of 8 months.
For un-subscribe please check the mail footer.