You can go at the premiere it's at Disneyland.
It's quite hard to faze me. I'm fairly un-shockable.
There is absolutely, 100 percent, a light at the end of the tunnel for anyone who stutters.
I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?
I used to look like a deer in headlights on the red carpet. You step out of the car and it's bedlam. Everyone's got crazy eyes.
People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.
I think I'm drawn to characters with complexity or who are under duress in some way and have some conflict going on.
I think it is nice for people to appreciate a slow-burning, beautiful story that makes you feel good when it is over.
I'm kind of effectively bipolar.
People just want to know something, anything. It's all the stuff you never want to talk about, the private stuff.
I almost broke my coccyx on 'The Wolf Man', and I banged my head once. I had to fall really hard.
I attempted to fish in Scotland and I managed to hook a dog. It was a horrible moment but the dog turned out to be fine.
Personally, I'm an advocate for short engagements. Long sometimes means there is a reason for it. Two years engaged and no wedding... I'd be upset.
A lot of period dramas can appear quite arch to most people, stuffy.
I think for me the job always has to be the right thing at the right time.
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