After Hollywood, you know if people are interested in you or in the fact that you've been in a movie. You know who your real friends are.
I tend to over-analyse things. I'm not the type of person to flip a coin and let things happen.
'Sailor Moon' was my favorite cartoon of all time, and I'm still kind of obsessed with it. I own all the DVDs to watch it at home.
With young people, there's often that carelessness, allowing yourself to get into danger - recklessness, I suppose.
A strange thing happens to me that I'm sure happens to a lot of actors when the camera starts rolling. I'm not 'me' any more.
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other characters for a living.
I'd rather make an interesting film that gets people talking, that maybe some people hate, than make the kind of 'entertaining' film that everyone feels ambivalent about.
With my boyfriend, we can make sexist jokes to each other because we know it's absolutely not true. If I get home from a long day and he says: 'Go on, get in the kitchen,' it's funny because we know it's not our lives.
I've actually got turned down for a lot of roles because I'm not bubbly enough. People have told me to be more 'up', but I can't, really. I find it hard to be smiley and giggly all the time.
For me, I see filmmaking as art.
Being from Australia, I've never even touched a gun. It's so not a part of our culture.
For me it would be unhealthy to be a method actor; I'm not mentally stable enough for that - I need to separate my two worlds.
I can cry at the drop of a hat. I've always found that easier than laughing in films.
I have to just worry about my own opinion and the opinions of the people I'm working with and people who are close to me.
I prefer to make a film that people have a really intense reaction to than have a film that people feel ambivalent about.
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