I really enjoyed the sort of real crazy, eclectic layering stuff and how it all worked together. I could tell it was some of it was derivative of something. I could tell that certain things were being looped around and I just really enjoyed the way that it all came together.
It's funny how making odd noises can get you into strange situations sometimes.
If you can understand the humor in the drawing part you'll probably get the humor in the audio part.
My scratching I don't really think communicates to intelligent life forms. Anyone with more than one brain cell would think Kid Koala music is completely retarded.
There's individual turntable setups devoted to piano, bass, drums and a set for soloing as well. We like to try and explore the gamut of what a turntable can do.
Eventually it just got really crazy. Less and less oxygen in the apartment.
Eventually we want to do a puppet musical with turntables in the orchestra pit.
I try and make little stories. Whether it's with a pencil or with bits of records, it's really the same thing.
I realized that we were all sort of conspiring, well, not conspiring against each other, but all this cloak and dagger stuff and I was like; what is this?
Nothing to do with anything, something to do with everything.
When I started, there weren't that many kids doing it in the city, but the in the wave after me there were a lot of them and they actually never spoke to each other.
I'm not here to battle anybody. In the end it's just an instrument. That shouldn't be a concept.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
Dear motorist on the information superhighway. I'm sorry I do not have a car.
Even though you were radiated doesn't mean you get to have that sort of power.
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