And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary.
I think it requires a bit of honesty, Swan Lake.
I look at the dancers and I get the inspiration for the work from them.
I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to flower; there are always some ready to drop off too.
SDC has a great reputation for putting live music on stage.
And dance is wonderful because dance is so immediate.
Dance is so joyous.
No one was creating and I always wanted to be created on.
I actually build my dreams around the dancers I've got in my company.
It's not a company of exponents of my style.
There's a line of dancers waiting to get into Sydney Dance Company.
We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.
I think the Olympics could help us reach more people.
I'm interested in people who can take the movement somewhere.
Mostly, I'm in the very enviable position that no one dictates what I do.
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