People will still love and hurt and yearn.
Put a Post-It note on your mirror that says: 'Someone has to succeed. There's no reason why it shouldn't be me.' Repeat before every audition.
It's naive to think there is a woman in the world who isn't brought up to believe that they are waiting for their soul mate. You even see it in Disney.
Yes, I was slightly outside everything when I was growing up. My mother jokes that I was exchanged at birth. She brought us up to have traditional values. She was absolutely not part of the '60s generation.
I have become a marketing tool and I feel very uncomfortable with that. There's no space for me to express myself.
I have very girly hands and I use them a lot when I talk in a way that I think is very feminine.
We are a very close family, and I love them very much, but I'm definitely the odd one out. I live a completely different kind of life style. I always was different. I felt like a fish out of water; I really never knew who I was.
When children arrive, or when some crisis occurs, couples don't have the resources to deal with it because they've been so busy getting on with their lives. They haven't learned how to sit down and discuss things.
When you're a young English person who wants to be an actress and you have dreams, you dream of being Vanessa Redgrave or Judi Dench.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
New Yorkers are either the nicest or the rudest.
I did 'Tumbleweeds' for fun. I did it because I loved it and I hardly even got paid.
I do mostly British projects, and for family reasons and life reasons Britain's my home, where I have a lovely garden.
I just want people to focus on the performance.
I was very nervous about the accent. I was very nervous about being an American.
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