I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.
That's another reason I did Daredevil: I didn't get killed off in it.
The greatest leading man, in my opinion, will always be Cary Grant.
It's all about people. It's all about the subjectivity of what people love.
Who owns the NY Post? 20th Century Fox. Talk about vertical integration.
I've been on jobs where there's that one actor who is just a miserable, miserable no-good, dirty bastard, and it just turns the whole process sour.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
It's such a luxury to be able to be happy about going to work in the morning.
What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
When I got the script for Memento, I read it and I got killed off on page one and I fired my agent.
They've been talking about Pi, which I haven't seen, they've been comparing it to Usual Suspects, Sixth Sense, and Fight Club, and I didn't see that either.
I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.
The camera looks into your soul.
Bad Boys II has knocked everyone's socks off.
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