I got the boot once from Stanley Donen. The film was called The Little Prince.
You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
I really have a generation gap about modern clothes.
With the black and white films, one was concerned with tone.
God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.
A lot of it, as it is in any job in life, is being in the right place at the right time.
I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.
On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
I fell in love with Dorset and ended up living there for a while.
I find shoestrings very hard work. I like big budgets.
I liked Live and Let Die, where money was no object.
I saw a very good Hollywood film the other day. It was about Cole Porter.
I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.
Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
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