My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.