Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.
It is true that the eyes dominate the ears in our time.
And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
And harmony means that the relationship between all the elements used in a composition is balanced, is good.
I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
But I'm an adventurer. I like invention, I like discovery.
One experiments and has to choose always the best results.
I became aware that all sounds can make meaningful language.
I have composed several pieces which are performed outdoors, not only in the auditoria.
And I'm always interested when other musicians are trying to discover new worlds of sound.
But since the middle of the century in particular, the music has become very irregular in rhythm.
In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.
And the invention of transformations of certain figures has become the most important in musical composition.
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