People ask me what I do in my spare time, and I look at them blankly, truly believing that I don't even have spare time, and if I did, I'd probably use it for something mundane, like chipping away at the mound of laundry rising to dangerous proportions in the back room.
Teens like a lot of the same things adults do: smart people doing amazing things against awful odds.
Don't fall into the trap of having to have everything perfect to write or wait until the mood strikes you. If you want it as a job, treat it like a job, and just as you don't go to work only when you feel like it, you have to condition yourself to sit and write even when the ideas don't flow.
Music moves society more than most people realize. In my opinion, it's a soft manipulator of influence and change.
'Dandelion Wine' became one of the few books that I returned to time and again, and while not anywhere near the story crafter as Mr. Bradbury, I hope I managed to absorb by osmosis some of his techniques.
I wish I could say I write 9-5. It's usually more like 8-6, every day but the weekends.
I never considered I might make a career out of writing as I was going to school, so when I did turn my attentions that way, I was very ill prepared, having only what I read as a guide, and no formal training whatsoever. I credit that very ignorance with a great deal of my success.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
'Dead Witch Walking' is basically a modern-day witch living in Cincinnati.
I grew up reading SF in the '70s and '80s, and I like fast, thought-provoking plots that take you places in fully realized worlds.
I was very introverted. You know, I had my close group of friends, but I really didn't care what the cool kids were doing.
I love the power of the musician who composes and performs. I envy their ability to put a nugget of truth in three minutes of sweat and emotional outpouring, colored entirely from their thoughts.
If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys.
My editor picked out the name she wanted. I was either going to be Kim Harrison or Lisa Harrison, because she wanted me shelved right next to Hamilton.
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