My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
Possibly because I've lived so much of my life in difficult circumstances, I think I have a more profound understanding of life.
Loneliness and hunger were my fortunes of creation.
A writer should bury his thoughts deep and convey them through the characters in his novel.
For a country boy, poor as I was, whose constant worry was to be able to have enough to eat, the Army guaranteed one's survival.
I think writers write for their consciences, they write for their own true audiences, for their souls.
When literature exists, perhaps we do not notice how important it is, but when it does not exist, our lives become coarsened and brutal. For this reason, I am proud of my profession, but also aware of its importance.
I know what real courage is, and I understand true compassion.
One of the biggest problems in literature is the lack of subtlety.
When someone forces me to do something I don't do it.
I have always been independent.
A writer should express criticism and indignation at the dark side of society and the ugliness of human nature, but we should not use one uniform expression.
I heard so many stories from Gaomi's peasants that I had an irrepressible urge to write them down. Today, Gaomi's peasants know that they have become famous around the world through my writings, but I think they are a little puzzled by this.
I'll continue on the path I've been taking, feet on the ground, describing people's lives, describing people's emotions, writing from the standpoint of the ordinary people.
No person writes to win awards.
For un-subscribe please check the mail footer.