Actually I think Art lies in both directions - the broad strokes, big picture but on the other hand the minute examination of the apparently mundane. Seeing the whole world in a grain of sand, that kind of thing.
The crucial question one comes back to is the examination; without that experience is meaningless. And I think it's true that society is becoming more and more passive, less and less fired up with enthusiasm, in many spheres.
I continue to believe, contrary to the given wisdom, that it's more interesting to have an album - or, indeed, an individual song - which has variety rather than homogeneity.
I suppose, in a way, one could say I may be less interested in my career than the audience is. Not to mean that I'm disinterested in my career, but I don't see it in terms of one stepping stone or, 'Now I'm going to go into my blue phase,' or what have you.
Being used to scientific terminology and theory it was always natural for me to push this stuff into songs.
I had then and still retain an interest in science for its own sake and as a metaphor for our current lives.
I do flip between being chatty and argumentative - and being a psycho-loner werewolf.
More people seem to know the Van der Graaf Generator material than my solo work - thanks, I suppose, to their parents' lingering vinyl collections.
If you're going to have a heart attack, mine was the kind to have. I'm thankful that it hasn't affected my output or my capacity to perform. And it has given me a lot to think and write about.
So I, for one, didn't feel alienated by what happened in 77.
Marc Almond has done a couple of covers, a few people in Europa have done them. I own all the publishing. It's never really been addressed, as I haven't had the time to go out and tout the songs.
It costs so much to promote something these days that almost always safety is the preferred option, reference back to things which have been successful in the past. Also, people are simply not given the time to develop and find themselves and their audience as we were.
Seriously, these days I tend to shut up in terms of external analysis and DO try to let things speak for themselves, while still trying to get some depth into them.
The passage of time is a continuing thing. At 18, you're going to live forever, and you are definitely not at 52, so that is a recurring topic. I still think it's the main stuff.
I had a vision of myself as a novelist because that was where I could be serious. I couldn't with music.
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