I'm quite into the idea of engineering being beautiful.
A lot of the Warp stuff has infected people's minds 'cause they're at the point where they can put tracks out, 'cause electronics are cheaper in America and kids are richer generally.
I'm well into sort of Santiago Calatrava and people like that.
It's claustrophobic, and I think it is to do with the amount that we're exposing people to one particular point.
A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar.
There aren't many people who say that Europe is a territory, or Asia is a territory - it'd be suicide. And there are even more people in America than in Europe. I think it's strange, really. I basically see it as loads of different places.
I don't know whether I'm, like, jumping the gun but it's possible that in the future we may be able to use the information that we can't receive at the moment.
The Internet's kinda in danger of getting heart disease pretty soon, I think. Arteries are getting clogged.
I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy.
They've been brought up on the best music. It's gonna be so good.
I'd rather be on a label that understands us and allows us to be a bit odd.
So when they come around and say they want to do our stuff in America, it's compliment really.
I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks.
Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.
So we should preserve it. I don't think that digital storage is necessarily a good thing, but I definitely think that digital manipulation is interesting.
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