“The moral aspect was merely a concomitant, a coverall for some deeper, almost forgotten purpose. That histoire should be story, lie and history all in one, was of a significance not to be despised. And that a story, given out as the invention of a creative artist, should be regarded as the most effective material for getting at the truth about its author, was also significant. Lies can only be imbedded in truth. They have no separate existence; they have a symbiotic relationship with truth. A



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