A novel, I think, is partly about the contemporary and partly about the eternal, and it's the balance of that that's difficult to achieve.
I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympathies and feelings kind of by stealth if you like.
In a novel, if you're any good, you don't just have good people or bad people. You have complicated people. You have real people.
In an ideal world, you could reunite the Pakistan-occupied part of Kashmir with the Indian-occupied part and restore the old borders. You could have both India and Pakistan agreeing to guarantee those borders, demilitarise the area, and to invest in it economically. In a sane world that would happen, but we don't live in a sane world.