I love stage work. The thing about plays is that they're perfectible. With film, you shoot that take and maybe another. During 'Spamalot,' I rewrote Act II three times.
I've seen so many scripts, and I want to do everything. Like with kiteboarding, you have to be fearless. I'm not scared.
They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
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