I know when I go outside, there'll be a van or two and they'll probably follow us four out of seven days a week, trying to get something. But I'm just going across town and I know they're just wasting their day, so it doesn't bother me anymore.
I find all of my performances come down to mathematics in a sense - how do you approach the problem of this character? Sometimes I crack that problem, sometimes I don't.
When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.
I always liked those moments of epiphany, when you have the next destination.