Every single tune you know from the 1940s until the 1970s was written, arranged, and demoed in the Brill Building. OK, maybe not every song, but writers from Benny Goodman to Lieber & Stoller to Neil Diamond all kept offices there.
With no faith, purely as a scientific experiment, I started meditating and watched if it changed my music. It did, but it didn't make it more mellow. It made it easier to get into the flow of creativity.
I should not be judged by a standard that's not applied to everyone else.
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