You look at the part in '12 Years A Slave,' you finish that script - I mean, it's a powerful story. You go, 'Man, I have to play a bad character in this.' And then you go, 'Well, do I want to play a bad character and contribute to a good story?'
I like that New York sensibility where you can be edgy, but still super-glamorous.
Ephemeral should be the default.
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