Spin is a tricky thing. When you're trying to avoid it - say, on a tee shot, where sidespin puts you in the trees - it's easy to make it happen.
I studied technique for ten years, from age 7 to 17. I guess you could say I went more on the Stanislavski side than the Meisner side - there's always that wide divide among actors when it comes to technique.
A story is open-ended. A story invites you into it to make your own meaning.
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