I know a lot about cars, man. I can look at any car's headlights and tell you exactly which way it's coming.
I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.
I think I get a lot of ideas from when I was a kid, listening to Casey Kasem's 'American Top 40.'
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