When a dramatic actor does a funny film, people are like, 'Wonderful! I didn't know he was funny!' But when it flips, people can get really thrown by it.
I've always had a penchant for dialects. I remember getting detention and being told, 'Have a think about where doing these funny voices might get you someday.'
A lot of the music editing job is communication and working out what a director really wants the music to be.
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