Making movies, you're like an independent contractor - you come in, you have a specific job, and a lot of what you do is completely manipulated, which is good and bad.
Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.
I don't know if 1300 players could really participate in the selection of a commissioner, and I've never given it a great deal of thought. I think it's a logical point they could make, but it's only an academic one.
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