It's not having what you want, it's wanting what you've got.
The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.
The computer, the noise of the computer feels like impatience. It's sort of the sound of impatience to me.
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