In France, I am the fifth artisan to produce his own chocolate, and the others have been doing it for a long time.
Writing a novel is so hard, and there are so many problems that the last thing you're thinking about is adapting this mess you have on your hands as a movie. You just want to get it to work as a novel. That's your main focus.
What is the use of theorizing as to wherein lies the charm that moves us?
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