I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
Iran, Libya and Syria are irresponsible states, which must be disarmed of weapons of mass destruction, and a successful American move in Iraq as a model will make that easier to achieve.
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