As I started to develop as a director, I wanted to do projects that were inherently more cinematic, where the freight was not so much in the dialogue, where it would be carried more by the camera.
Race was thick in the O.J. Simpson case from the very beginning, but it wasn't evident. And I think the O.J. Simpson case revealed that there is subtle race, and there is sophisticated race, and there's evident and observable race.
He that will be angry for anything will be angry for nothing.
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