Every decade, we get a stunning collection of dynamic, heartbreaking short stories. In the past, those collections came from Barry Hannah, Mark Richard, and Thom Jones.
I love the idea of leaving some of the original abstract thought in, because the problem is that when you pick up a pen you become a snob, your own worse critic. You edit yourself in a way that is non-creative.
Life is like a cobweb, not an organization chart.
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