For me the visual is just as important as the music.
There is a lot of struggle in being an actor; you need so much emotional strength, no matter what level of stardom you have, that it's nice to have something steady.
The correct didactic analysis is one that does not in the least differ from the curative treatment. How, indeed, shall the future analyst learn the technique if he does not experience it just exactly as he is to apply it later?
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