Composing is like driving down a foggy road toward a house. Slowly you see more details of the house-the color of the slates and bricks, the shape of the windows. The notes are the bricks and the mortar of the house.
There's all kinds of mothers, so to use the label 'mother' and to think you really understood all that a human being is because she's a mother, is a mistake.
Some people treat seeing me as if they just won a car on 'The Price is Right.' The feet get going, and the hands start flapping, and it's really quite amazing. It's a little scary: you can't have more than two or three of them at the same time because someone might get hurt. But it's great fun.
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