John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion.
When you're walking down the street or in the car just listening to the radio, and you're, like, 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
I realised quite early on that, although I wasn't trying to make a career speciality of it, I was playing slightly asexual, sociopathic intellectuals.
For un-subscribe please check the mail footer.