Hollywood is in love with any kind of nostalgia that can prove itself to be commercial.
Is it better to go indie and make bigger profits on each book, or stick with a print publisher's 6%-10% royalties? Since I never could figure out what I wanted to do when I grew up, I'm hedging my bets and working both sides of the street.
I always record far more than I can use. There's probably twice as much recorded as comes out.
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