Any artist that is even surviving right now is a dark horse because things change pretty fast. You're a superstar one day and wake up the next day and you're anonymous. To be successful in any way is beating the odds right now, I think.
You know it's easy here to buy journalists.
To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.
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