I was very lucky. I left college, and Richard Eyre was in charge of the National Theatre. I was offered the lead in 'The Seagull' with no experience and went on to do five plays there.
The women's movement had already paved the way, I think, for my coming.
I do all of my good thinking at over 65 miles per hour. The speed limit is, luckily, the same speed as my brainstorming speed.
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