The way I navigate scenes is through what I perceive to be the emotional truth of the character: what he wants from moment to moment.
Lance Armstrong has a 17th-century, 15-foot Spanish fresco of the crucifixion hanging on the wall of his Austin mansion. This doesn't mean - and some of you Armstrong acolytes might want to sit down for this - that Lance is Jesus.
I have my pace and way of living, and I'm not looking for something.
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