To conflict journalists, a tiny, tight-knit tribe, tragedy is practically an occupational requirement: our work requires us to seek it out, measure it, contextualize it, and chronicle it.
I love films where you go into the cinema and loosen the edges of yourself and you hopefully enter into the world of the film. You're watching something unfold before you. I prefer the idea of wonder or intense wonder over shock or something.
Life in a box is better than no life at all... I expect.
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