When I was talking to strangers over the Internet in the 1990s, there would be a much more intense connection because they're disembodied, so it's just your brain and your soul interacting with this other person, and it just frees you up in this incredibly empowering way.
With every record I put out, I got a bit more success, a bigger following in cities I would play in, and occasionally a bit of radio play.
I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
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