Not to be offensive, not to be capricious, not to be arbitrary, not to be neurotic, not to be an actor outer, you're just trying to get in and you're given so little time to get in gently, but it's always hard.
Many performance poets seem to believe that yelling a poem makes it comprehensible. They are wrong.
If a remake is not good, no one wants to see it and, again, it doesn't hurt the original.
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