I really don't like to do back-to-back movies. I concentrate on things at home. My family and school life are important to me. I try to do one movie a year.
My family and school life are important to me.
I don't let it bother me too much if someone doesn't like me. I just figure there's no accounting for taste. It's not me, it's my acting. It's like if someone doesn't like someone's food, they just don't like my acting.
Kids are brought into show business because they are cute and see truth and they're very bright. But there's a sense of doing it because you want the adults to be approving of you. You want to make them happy.
People have good and bad days.
There were a lot of signs being thrown at me, a lot of angels I was meeting, inspiring me to get back into show business.
It was more like having unwanted attention as a child - if you'd walk around, people would recognize you, and it would be in a weird, almost making-fun-type manner.
I didn't want to go down any scarier path of low self-esteem than I was already on the track for. So during my second year of college I was like, 'I'm over it! I have to go see what this other thing called life is about!'
There are songs where no matter how much you know you shouldn't - like the Ying Yang Twins' 'Shake' - I'll be in a dress, and I'll krump to it. It's horrible!
A lot of movies treat kids like idiots.
In order to satirize adequately, I think you need to bring people down to Earth and be like, 'Yeah, these people drink coffee and have tummy troubles and they go to the bathroom like anybody else, and they all have relationship problems, if they even have relationships.'
Show business got really tainted for me.
Keep in mind that there are computers, that do touch things up. Like when I got a hold of the poster for 'Gold Diggers,' I said: 'Hey, wait a minute! Those aren't my teeth!'
First, I was a fact checker for Zagat and then I was an editorial assistant for HarperCollins publishing house.
I love... anything in black and white. Just put it on the TV, I'll watch.
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