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Like most creative people I don't fit well into boxes.
I'm not terribly fond of soapboxes.
If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
We need, in effect, to make the phantom 'lock-boxes' around the trust fund real.
When you're a short actor you stand on apple boxes, you walk on a ramp. When you're a short star everybody else walks in a ditch.
It's not like I have boxes of scripts arriving at my door.
There's just not a lot of guys around playing like that these days; a lot of steel players are plugging into stomp boxes, trying to sound like Jeff Beck on a steel guitar.
There are no Kleenex boxes on these loops, just so you know.
'The Great Gatsby' ticked so many boxes for me.
I've spent my entire career on horseback or on a motorcycle. It boxes you in, the way people perceive you. I read a lot of scripts. Most of 'em go to other actors.
I love the smell of juice boxes in the morning.
I'm a mezzo-soprano, so the whole diva thing... I'm not the kind of performer who puts on a persona off-stage as well, and the days of arriving with steamer trunks and hat boxes are over.
My interests and obsessions have always been so wide-ranging that I keep popping my head out of different boxes as much as possible.
I'm not out trying to prove anything. I'm sort of finished with that, so I get to play in other sandboxes and try and figure out what I like and I'm interested in.
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