Carving out an identity for yourself is important so I'm trying to do that as well.
I think that, like any art, fashion is about expression. It allows you to express yourself and your identity through what you choose to wear.
One doesn't want one's identity coerced.
You can have Irish identity in the north and also have your Irish passport.
Materialism is an identity crisis.
All discomfort comes from suppressing your true identity.
I'm Owen Hart and I have my own identity and my own style.
I have an English identity and a French identity. When I'm in France, I'm more outgoing. And the French part of me cooks, whereas the English part of me writes.
The perception of identity is so intimately bound up with the perception of the human form.
I've realized that it's important to stop trying to think I'm any one thing. People are confused as to their identity and try to cling to one aspect of that identity to describe what they are: American, Republican, Muslim. These are really incomplete.
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing's identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.
I started acting when I was 5 years old. And I was pretty well known for a while. Your self-esteem and your identity start to become wrapped up in that celebrity, and when that starts to fade away, your self-esteem and your identity start to fade away with it.
My identity is linked to my grandmother, who's pure Filipino, as pure as you can probably get. And that shaped my imagination. So that's how I identify.
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
My parents raised me to not ever look at race or color, so it doesn't have a big part in my self-identity.
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